The students had been leaning about mixing tints and shades with acrylic paint and for this project they were exploring mixing light and dark tones with watercolour paints. I was so pleased with their application of techniques.
Other concepts reviewed were complementary colours (opposites on the colour wheel) and then students learnt about analogous colours (colours next to each other on the colour wheel).
Learning Intentions, success criteria, lesson activities step by step, artwork analysis sheet, colour theory exploration sheet, artist example artwork, student work, self evaluation sheet, photo reference images.
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Much of Spanish artist, Joan Miro’s later work is wonderful inspiration for young children because of it’s child and dream like simplicity and abstract nature. Many of his works at this time were quite surreal and imaginative that used shapes, symbols and a limited colour palette. He often used primary colours too.
We looked at the artwork “Sun Eater” or sometimes called “Imaginary Boy” by Joan Miro made in the 1950s discussing shapes, lines and colours. They found the tiny bit of yellow in the eye and we reviewed the primary colours.
Students began by drawing the basic shapes on their paper in pencil first to make sure they had the size right. They then used paint sticks in any chosen primary colour to colour the circle on the body, followed by the surrounding square, then the stripe across the eye, making sure they used the three primary colours. Because paint sticks dry so quickly, they were able to then go over their pencil lines on the head, eyes, nose and mouth before using straight vertical and horizontal lines across and down the square body.
Lesson Plan for Prep/ Foundation aligned to Victorian Curriculum with lesson steps and success criteria statements.
Students in Year 1/2 were learning about Aboriginal traditions and their use of leaves as medicine from ‘nature’s pharmacy’. We watched a YouTube video explaining various leaves from the bush and their use to treat different ailments. The lesson project is from Japingka Aboriginal Art website which has some wonderful art lesson plans. Check it out!
The lesson looks at the Bush Medicine art of Rosemary Petyarre, and we also looked at an artwork I own, also titled Bush Medicine Leaves by Rosemary Pitjara. We compared the artworks and discussed the movement in each.
We used liquid watercolours to paint a piece of paper in stripes or bands blending the edges, and also a spray of water to further add interest.
The black background paper has texture added with paint sponged, scraped and dabbed to create a sense of the bush or forest floor.
Students traced a gum leaf onto card, cut it out and used as a template to trace as many shapes as they could on the back of their watercolour paper. They then arranged these onto the background paper in a way that shows ‘movement’.
Students then used Zart white Perma Pens as a quicker method of dotting around the leaf shapes to highlight them.
LEARNING INTENTIONS: To learn about the Primary Colours To learn about line and shape To learn about the artist Alexander Calder
SUCCESS CRITERIA: I can use the primary colours in a digital artwork. I can use various lines and ORGANIC shapes in an artwork. I know that Alexander Calder made artworks and mobiles that often used primary colours.
This lesson uses the Brushes App to make a digital artwork. We looked at Alexander Calder’s paintings and discussed the colours, lines and shapes used. We looked at the colour wheel to identify the primary colours.
LINES: curved, loopy, wavy, straight SHAPES: rounded and organic, circles
Students opened Brushes App to start a “new painting”. I showed them how to find or edit a ‘brush’ so they had a smooth stroke and choose black to draw various lines and some shapes inspired by Calder’s work.
They then need to add a layer (this will need to be demonstrated) Primary colours: red blue and yellow, are chosen to colour in the shapes and maybe add a shape, spiral, or line.
The outline layer is dragged on top of the colouring in layer.
Learning Intention: To use shape and colour to make a candy heart with a positive message and a complementary coloured background.
Success Criteria: I can draw a heart with a positive message inscribed inside the shape. I can add a shadow line to give it a 3D appearance. I can use a darker colour value to use on the sides. I can use the complementary colour for the background.
This lesson was done earlier this year before Coronavirus lock downs became something we had to endure here in Melbourne for many months. The messages certainly resonate now as we wait to see if shops, restaurants and bars can reopen and if we can socialise with friends.
The students used chalk pastels for the heart shape, darker on the edges. The background is food dye wash.
My Prep classes were learning about use of colour to show emotions and feelings, so this activity was a good follow on to learn about warm and cool colours.
Students learnt about what an ABSTRACT portrait is, in particular ‘Senecio’ 1922 by Paul Klee to inspire making a portrait in this style using warm OR cool colours. They used a variety of materials, including: crayon, oil pastel, water colour paints and chalk pastels using various techniques in the process.
First we looked at Paul Klee’s ‘Senecio’ (1922) and discussed the style and type of artwork, the colours, the feelings or emotions the colours might convey.
Students used a card circle (from Supermarket pizza packaging) and followed a guided drawing to add the joined eyes, line for the nose and mouth, and shoulders. These lines are traced over heavily with a black crayon. (no smudging!) They then drew lines on the face and body to make sections.
Oil pastels were used to colour the eyes. Water colour pallet paints were used to paint the sections and can be used with varying intensity- more water for a lighter colour value) We discussed that pink is also a warm colour because it is made using red (with white.)
For the background the students use chalk pastels on the side, then spreading and smudging the colour with their finger to fill the space.
Full lesson plan available with learning intention, success criteria, discussion questions, process and techniques. Self assessment rubric for students.